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Works by date

1994 – 1990

Du Néant qui le Croit

for bassoon and live electronics (1994)


Une Aile Pourvu qu'Elle Soit du Cygne

for piano (1993)


Conformal Tetrahedric

for flute, bassoon and percussion (1993), 10’53”


Cubic Solutions

for flute, bassoon and percussion (1993), 9’37”


Prismatic Inherents

for flute, bassoon and percussion (1993), 6’02”


Quadratic Resonances

for flute, bassoon and percussion (1993), 7’54”


Spherical Harmonics

for flute, bassoon and percussion (1993), 10’51”


96 Digital Bells

electroacoustic music (1993), 21’ 00”


Sound Installation for Architecture Exposition "Realidade-Real" by Nuno Mateus / ARX Portugal

(1993)


Music for "O Jogo das Perguntas"

(1993)


Music for "Primavera Negra"

(1993)


Music for "Realidade-Real"

(1993)


Ícone I

for vintage tub and wooden stairs (1992), 5’29”


Ícone II

for 5 roto-toms, tom-tom and voice (1992), 6’40”


Ícone III

for glockenspiel, gongs, cymbals, sound-icon and live electronics (1992), 8’49”


Ícone IV

for 3 wooden drums (1992), 9’26”


Ícone V

for xylomarimba (1992), 3’44”


Ícone VI

for percussion (1992)


Música para “Solos”

for percussion (1992)


Arcano III

for wooden drum (1986/92)


Arcano V

for wooden drum (1986/92), 4’12”


Arcano IX

for wooden drum (1986/92)


Água ou Maré-Nome de Pedra

for flute, percussion and live electronics (1991), 20’22”


Determinante-Solar

for bass fulte and xylomarimba (1991)


Music for "Solo para Dois Intérpretes"

for flute and percussion (1991)


Mandala

for xylomarimba (1990), 12’37”


Déposer la Forêt

for flute, percussion and live electronics (1990), 7’21”


Music for "Much Ado About Nothing"

for flute and percussion (1990)


Déposer la Forêt

electroacoustic music (1990), 7’


Music for "Déposer la Forêt"

(1990)


Sound Installation for Sculpture Exposition by Bauduin

(1990)


Sound Installation for Painting Exposition by Jorge Vilaça

(1990)